Indigenous Heraldry: Transferring ethnic imagery from the mundane to the canonical


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Authors

DOI:

https://doi.org/10.29333/ejecs/59

Keywords:

coat of arms, indigenous territory, vexiology, socialist realism

Abstract

European heraldry presents itself as an intriguing collection of symbols that trace their roots to a number of sources, some of which are obvious to spot, while otters still lay in obscurity. When talking about heraldry, it is safe bet to assume that, for instance, the symbols that are collected from the animal kingdom underwent a process which transferred them a series of anthropomorphic qualities. The situation was no different for elements that were inspired by vegetation and celestial entities. Heraldry, as it is presented in academic environments, primarily traces its roots to the Old World – as a result, most heraldic symbols are directly linked to key-features, both cultural and environmental, that are native to the land. This turned into a major obstacle in the dawn of the early days of post-colonialism, marked by strong movement that aimed at restoring indigenous symbolism on coat of arms and flags of territories that earned their right to self-governance, or independence. This paper is focusing on giving an interpretation regarding the selection of heraldic symbols and vexillological chromatic schemes that were adopted by Russia’s federal subjects with a significant indigenous population. This will include an autonomous okrug, and autonomous republic, and a district from within a kray. We aim at determining if the used symbols reflect, or not, local indigenous identities, if the symbols that are used are entirely of European extraction, or if specific indigenous symbols made their way into the coat of arms of the featured territories. The research that was made concluded that the territories that are situated east of the Urals managed to customize their heraldic design through inserting element extracted from vernacular folklore, while the European territories have a more orthodox approach, using traditional heraldic motifs.

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Author Biography

Mitran Ilie Iulian, Ovidius University of Constanta, Romania

I'm a young scholar that focuses on the study of culture, and ethnic issues, througfh a transdisciplinary approach. Besides the work that I published in a more convetional approach to issues regarding ethnicity and identity, I also like to blend digital technologies, such as CAD software, in an attempt to preserve various heritage sites and objects, I have a background in teaching, and attended numerous national and international conferences where I received prizes for my contributions to the field. I am publish annually various in publications edited by the Land Force Military Academy of Sibiu, the Air Force Military Academy of Brasov, Constantin Brancusi University of Targu Jiu, and in the Journal of Eurasian Studies from the Department of History and Political Sciences of Ovidius University of Constanta.

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Published

2017-07-12

How to Cite

Iulian, M. I. (2017). Indigenous Heraldry: Transferring ethnic imagery from the mundane to the canonical. Journal of Ethnic and Cultural Studies, 4(1), 26–33. https://doi.org/10.29333/ejecs/59

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Original Manuscript
Received 2017-03-12
Accepted 2017-04-29
Published 2017-07-12