The Development of Casta Painting as Visual Genre in New Spain and the Production of Ethnoracial Stereotypes

Laura Catelli

doi:10.29333/ejecs/1796

Authors

Laura Catelli Consejo Nacional de Investigaciones Científicas y Técnicas (CONICET), Universidad Nacional de Rosario https://orcid.org/0000-0002-4124-7689

DOI:

https://doi.org/10.29333/ejecs/1796

Keywords:

casta painting, Criollos, mestizaje, racialization, stereotype

Abstract

The aim of this essay is to analyze the ways in which the development of the casta pictorial genre contributed to the production and stabilization of racializing and racist stereotypes. These racial stereotypes still persist in cultural imaginaries in and about Latin America as part of the long duration of coloniality. Casta painting from New Spain is analyzed here as a pictorial genre and as a colonial discourse in connection with situated social and racial concepts, such as Creole, caste, and calidad. The analysis develops through a dialogue with perspectives from Semiology of Art, Visual studies, Postcolonial studies, and Latin American Critique of Coloniality. In this regard, this essay intends to create a conversation among different disciplines and fields of study in order to develop a complex, transdisciplinary approach to a problem from colonial times: the production and circulation of ethnoracial stereotypes and their impact on social relations, lived experiences, and subjectivities.

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Author Biography

Laura Catelli, Consejo Nacional de Investigaciones Científicas y Técnicas (CONICET), Universidad Nacional de Rosario

Laura Catelli (Ph.D. Hispanic Colonial Studies, University of Pennsylvania) is Professor of Twentieth-Century Problematics of Latin American Art, Tenured Researcher and Director of the Center for Research and Studies in Postcolonial Theory at the Institute for Critical Studies in Humanities (National University of Rosario, National Council for Scientific and Technical Research, Argentina). Her research and teaching focus on the formation of Latin American racial imaginaries, from a transdisciplinary postcolonial and decolonial perspective.

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